Atzmon and Barnes have collaborated often on differing projects over ten years but this is the first time they have toured with Atzmon’s band, The Orient House Ensemble

Moving to the UK from Israel in 1994 Gilad Atzmon settled in London, he started afresh with music as his torch and his awesome sax sound as his calling card. It was not long before opportunities arose for him to play with other jazz musicians and soon gained professional work enlisted by the likes of Memphis Slim, Gail Thompson and Kenwood Dennard. During this period it rekindled his interest in the music of home - the Middle East, North Africa and Eastern Europe. Ideas he worked on to incorporate these musical themes would simmer and grow over the coming years, looking for a sound. In 1996 he was inducted into the ranks of an icon from the punk world, Ian Dury, joining Dury and The Blockheads with whom he toured and recorded for the last few years of Dury’s life. He continues to play with The Blockheads to this day. Other work with rock and pop artists have included Sir Paul McCartney, Sinead O’Connor, The Waterboys and even Robbie Williams! Gilad has also recorded and produced for Robert Wyatt, and in 2014 he recorded with Pink Floyd and is featured on their new album The Endless River. In 2000 Gilad founded the Orient House Ensemble(OHE) in London and started re-defining his own roots in the light of his emerging ethical awareness. He found that sound he had been looking for. Over the years Gilad Atzmon's music has moved increasingly toward a cultural hybrid. As a bandleader and reed specialist, he has been amazing his listeners with his powerful personal style that combines great bebop artistry and Middle-Eastern roots in a sophisticated, sometimes ironical manner. Influenced by Coltrane’s powerful approach on the sax, Gilad's live performances are simply breathtaking and overwhelming. His album Exile was the BBC jazz album of the year in 2003. He was described by John Lewis at the Guardian as the “hardest-gigging man in British jazz”. Atzmon tours extensively around the world. His albums, of which he has recorded fifteen to date, often explore political themes and the music of the Middle East.

Alan Barnes is a prolific international performer, composer, arranger, bandleader and touring soloist. He is best known for his work on clarinet, alto and baritone sax, where he combines a formidable virtuosity with a musical expression and collaborative spirit that have few peers. His range and brilliance have made him a “first call” for studio and live work since his precocious arrival on the scene more than thirty years ago. His recorded catalogue is immense. He has made over thirty albums as leader and co-leader alone, and the list of his session and side-man work includes Bjork, Bryan Ferry, Michel LeGrande, Clare Teale, Westlife, Jools Holland and Jamie Cullum. He has toured and played residencies with such diverse and demanding figures as Ruby Braff, Freddie Hubbard, Scott Hamilton, Warren Vache, Ken Peplowski, Harry Allen and Conte Candoli. In British jazz, the young Barnes was recognized – and hired – by the established greats of the time: Stan Tracy, John Dankworth, Kenny Baker, Bob Wilber, and Humphrey Lyttelton. But he is equally respected for his longstanding and fruitful collaborations with contemporaries such as David Newton, Bruce Adams, and Martin Taylor.

Alan Barnes’s unique musicianship, indefatigable touring, and warm rapport with audiences have made him uniquely popular in British jazz. He has received over 25 British Jazz Awards, most recently in 2014 for clarinet, and has twice been made BBC Jazz Musician of the Year.

Frank Harrison has grown into a pretty special pianist with a rare touch, even alongside the boisterous Atzmon. Frank used musical muscle to hold his own with Gilad and is the only other original member apart from the head honcho. Returning to the UK from Berklee in the States in 2000 he joined Gilad’s band which soon became the OHE. Since then he has been a stalwart, recording on all OHE albums. Frank also has his own trio, which has recorded twice gaining much press praise. He has also performed with Peter King, Julian Arguelles, Bobby Wellins, Julian Siegel, Don Weller, John Etheridge, Louis Stewart and Iain Ballamy.

Yaron Stavi knew Gilad in Israel and joined him in the bands Spiel and Spiel Acid Jazz. Born in Tel Aviv, Yaron moved to Berlin aged 21 where he trained in classical double bass at the Berlin Academy of Arts with Rainer Zepperitz, (former principal bass player of the Berlin Philharmonic). Yaron became principal in the Gustav Mahler Youth Orchestra and the Jeunesses Musicales World Orchestra, playing under Seiji Ozawa, Pierre Boulez, Sir Neville Mariner and others. In 2002 Yaron moved to London and joined the OHE. Yaron has also performed with Peter King, Larry Coryell, Gary Husband, Gene Calderazzo, and Stephen Keogh. Since meeting him at a festival in Switzerland in 1997, he has played with violinist Nigel Kennedy, both as a member of the Nigel Kennedy Jazz Group and in festivals in the UK. He played also on Robert Wyatt’s 2003 album Cuckooland and 2007 album Comicopera and in 2003 recorded two albums for John Zorn’s label Tzadik with Koby Israelite. Today Yaron still crosses the Classical/Jazz divide with equal aplomb, a rock solid and swinging bass player as you will ever come across, with an instrument tonality to die for.

Chris Higginbottom is one of the UK’s top drummers, currently a member of the Ronnie Scott’s All-stars and Gilad Atzmon’s Orient House Ensemble. A Royal Academy of Music graduate, Chris lived in New York for eight years where he played with many of the biggest names in jazz including Mark Murphy and Seamus Blake. He has performed all over the world including the Blue Note Tokyo, Birdland in New York, the House of Blues in Chicago, The Roxy in LA, Montreal Jazz Festival and countless others. Since relocating to London in 2010 Chris has also performed/toured with Kyle Eastwood, Westlife, Marti Pellow, Georgie Fame and Carleen Anderson.

This promises to be an outstanding night of jazz with two of the most uncompromising exponents of the instruments they command, and they play a lot between them. Both award winners on saxes and clarinets in particular. Fireworks are sure to follow them wherever they go, and with that the great humour for which they are both also known.

gilad.co.uk    alanbarnesjazz.com