Varied audience levels in November; nevertheless the quality of music this month was exceptional. Ian Sherwood clashed with the Eddi Reader gig at St Georges, and he suffered being a ‘newbie’ to the UK, however he will be back and he was outstanding. ARQ was well attended and the girls played their proverbial derrière’s off, ably supported by messers; Lodder and Birch. Tim Richards had a mega line-up on show, but not many did? Clive Gregson had a skinny crowd but gave his usual bravura show, in my opinion the best I’ve ever heard him, great songs and vocals, absolutely amazing guitar picking and riffs, all served up with smashing humour.
As a tempter, I’m offering a bit of a Christmas present for the last two gigs of the year. Both these gigs are in association with super bass player Michael Janisch and his record label Whirlwind. They are both top bracket gigs (!!!!) and feature some amazing musicians from predominantly, across the pond (see below).
‘Lund’ in Norwegian means a small clearing in a forest, a glade; and that mental image very ideally matches what these four guys are all about. Self taught pianist Simon has Norwegian heritage and it also happens to be his family name from those roots. Having come to this music from various backgrounds like Punk, Reggae, Classical and techno, they all seem to have simply elevated, simultaneously to this music.
This is cool, and possibly unique. ~ Igloo Magazine
I was later to find out they had been creating and practicing their unique brand of what is probably best described as Scandinavian effected, groove based jazz; that recalls Esbjorn Svenson with a lighter touch, and has rhythmic signatures that wouldn’t be out of place in a high end cocktail club. They had been practising for months and months that ran to over a year plus, before even thinking about performing it live. A dedication that’s quite rare.
When first I happened across these guys it was one of the weirdest yet delightful happenings I’ve had. I’d been invited by acquaintance Rob Salvidge (who I knew from BBC Radio) the Skipper of the good ship Matthew to a promotional event on board. Initially I couldn’t find where in the docks they were meant to be boarding, and so I was meandering along by the Buttery opposite the Lloyds amphitheatre. It was a chill autumn night and the light had just about gone, and then I heard this eerie, light, strange sound drifting over the water. As I turned I saw the Matthew silently gliding over the moon cast still water like a swan, with LUND on deck under fairy lights, producing this totally ethereal sound. It made me laugh initially and then stand in awe as they floated (seemingly) by. I caught up outside the Arnolfini, listened to a full set and was smitten!
I invited them to play a proper gig at Future Inns and then encouraged them to enter a young musician competition event we did there; and they came a valiant second (to James Gardiner Bateman’s band, brim full of bright young Royal Academy things).
Since then they have flown to greater things, including launching their well received and beautifully put together debut album; simply titled LUND Quartet, ventured to the continent to play in places from Tallinn to many parts of France, and gigs around the UK at clubs, and festivals.
This is simply beautiful jazz music with a modern twist ~ Meme Magazine
Now they are ready to unleash more new material after a similar length of development behind closed doors. I’m very happy to be putting this gig on tonight so we can all grab some more LUND. Do not miss this, you will be intrigued and yet enjoy every drop of sound.......read more
Brilliant. It's got something quintessentially Bristol about it, and yet something so different. It's jazz, it's turntablism and it’s great! ~ Richard Pitt, BBC Introducing
I did try and put this gig on at the Colston Hall in the Lantern to use the baby grand piano, but the venue was not available, however this line-up is too good to miss out on (I kid you not) and so we have the Hen & Chicken as usual. We have given Bobby the option of piano or borrow/cadge/steal a high quality keyboard (carrying a Baby Grand up the stairs is not possible for a one-off gig). Both will be available to him, he’ll decide which he wants to use.
Praised by the New Yorker magazine as, "A young pianist of invention and refinement", Bobby Avey has established himself as an emerging star on the international jazz scene. Having won the highly esteemed the Thelonious Monk Competition in 2011, for composition, he has gone from strength to strength. A solo piano album entitled Be Not So Long To Speak, came out in April 2013. Ben Ratliff of the New York Times deemed it “A record of mystery, patience, imagination and clear design. Keep an eye on this guy.” A trio album followed and has led to this unique project and a line-up of current “Most Wanted” players stateside. Indeed Puerto Rican Miguel Zenon apart from gracing the bands of Kenny Werner, the stunning pianist Danilo Perez and Jeff Ballards group; is also on the front cover of Downbeat magazine in the USA for the month of December, and has a 5-page spread inside!
Bobby Avey is a current member of David Liebman’s Expansions and the Dave Douglas Quintet. He is a past Yamaha Young Performing Artist on piano and graduated from Purchase Conservatory of Music, Summa Cum Laude 2007. Also in 2011 Avey received the New Jazz Works: Commissioning and Ensemble Development grant from Chamber Music America. The grant enabled Avey to travel to Haiti to record a Voodoo (Vodou in Haiti) Ceremony in the small village of Soukri and then create an hour-long suite grounded in rhythms found in Haitian Voodoo drumming. The suite, entitled Authority Melts From Me, pays homage to the Haitian Revolution and is his debut for Whirlwind Recordings. This tour is short and takes in venues such as The Bimhuis in Amsterdam, Band on the Wall, Manchester, Leeds College of Music, Pizza Express in Soho, London, the CBSO in Birmingham and us here in Bristol.......read more
It’s really some masterful ensemble work. You can’t help but wonder where the last hour went. As you restart the recording, you realize that you just don’t care. ~ Mark Saleski
... [Avey] has created a cliché-free work of progressive jazz that's virtually cinematic in its intensity. ‘Authority Melts From Me’ sees Avey break through as a composer of sophistication and depth. ~ Bradley Bambarge (Downbeat)
Most folk know I have a scant regard for performers who profess to sing jazz. Many are called, few are able to get the timing, swing and feel of this music. Very different from singer songwriters in the acoustic field, who can create individuality of style and complex wordsmith capabilities that appeals across a broad spectrum. However, I do have a track record of recognising when someone does get it spot on, and strive to bring them to Bristol; whether established artists such as Norma Winstone and Kate Westbrook or from early stages of their careers, vocalists such as Liane Carroll, Tina May, Stacey Kent and Gwyneth Herbert. All female you shout. True, historically there have been not many guys to choose from; and maybe I should have promoted the likes of the very impressive Ian Shaw or Cleveland Watkiss, but I did put on Jamie Cullum at the M Shed in the year he signed his first record deal. If you like Jamie Cullum, this is your bag, but Oli has a more cutting edge approach and even wider style options.
When talent shines through I readily put my own misgivings away: Oli Rockberger sounds the real deal!! He straddles the styles of jazz and popular music that Cullum has captured very successfully and has heritage right back to Nat King Cole and Frank Sinatra. Having won a scholarship to Berklee Music College in the States, he stayed on and moved to New York where he has gained much success. He’s since been back to perform at the London Jazz Festival and the very special Love Supreme Festival. If you like Jamie Cullum, this is your bag; but Oli has a more cutting edge approach and even wider style options
Whether you first discover singer/songwriter & pianist Oli Rockberger through his work as a solo artist, producer/arranger, studio keys sideman, or as 1/3 of acclaimed band/production team Mister Barrington, you will be sure to find a distinctive musical voice running through the rich and varied work he does. London born NY based Rockberger has appeared live/on recordings alongside Randy Brecker, Levon Helm, Gloria Gaynor, Jesse Harris, John Mayer, Steve Jordan, Chris "Daddy" Dave with Robert Glasper and Derrick Hodge, Nathan East, Jackie De Shannon, Steve Gadd and Les McCann.......read more
Oli can conjure up echoes of – Randy Newman, Todd Rundgren and Peter Gabriel - yet still inhabit a sound world all of his own. ~ Jazzwise (UK)